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Articles (in magazines, dictionaries, newspapers, e-zines etc.)
  1. Mehr Aufmerksamkeit dem Rhythmus! //Kunst und Literatur 1964 No.12 S.1324-1333.
  2. Zur Rhythmik Prokofjews. //Musik und Gesellschaft 1970 No.6 S.372-381.
  3. Nowe kompozycje E.Denisowa (1968-1969). //Res facta 1972 No.6
  4. Tonalnost a dodekafonie v houslevem koncertu Albana Berga.//Hudebni veda 1973 No.4 .
  5. Russische Quellen der Rhythmik Strawinskys. //Musikforschung 1974 No.4 S.435-446.
  6. Schnittke A.H. //MGG Bd.16. Kassel, Basel 1979.
  7. Slonimskij S.M. //MGG Bd.16. Kassel,Basel 1979.
  8. Tischtschenko B.J. //MGG Bd.16. Kassel, Basel 1979.
  9. Tschaikowskij B.A. //MGG Bd.16. Kassel, Basel 1979.
  10. Denisov E. //The New Grove V.5 p.366. London 1980.
  11. Gubaydulina S.A. //The New Grove V.7 p.781 London 1980.
  12. Dramaturgie und musikalische Formen in der Kantate "Nacht im Memphis" von S.Gubaidulina. //Fünfzig sowjetische Komponisten. Ed. Peters. Leipzig, Dresden 1984 S.164-168.
  13. Rhythmische Organisation in der Musik Edisson Denissows. //Sowjetische Musik. Betrachtungen und Analysen. /Akademie der Künste der DDR. Arbeitsheft 37.Berlin 1984 S.120-128.
  14. Zum sinfonischen Denken Alfred Schnittkes (am Beispiel seiner 1. Sinfonie). //Sowjetische Musik. Betrachtungen und Analysen. /Akademie der Künste der DDR. Arbeitsheft 37. Berlin 1984 S.33-42.
  15. Sophia Gubaidulina. //Music in USSR 1985 April-June p.86-88.
  16. Die Musik Anton Weberns. //Kunst und Literatur 1985 H.5 S.684-701.
  17. Alfred Schnittke. //Kunst und Literatur 1988 H.2 S.250-271.
  18. Strawinsky-Studien in der UdSSR.//Beiträge zur Musikwissenschaft 1988 Nr.3 S.196-200.
  19. Synthese von Westeuropäischem und Orientalischem. //Musik und Gesellschaft 1988 Nr.10 S.527-529
  20. Sofia Gubaidulina's Music. //Soviet literature (Moscow), 1989 Nr.3 p.181-185.
  21. Swiat muzyki Zofii Gubajduliny. //Literatura Radziecka /Moskwa/ 1989 Nr.6 s.185-188.
  22. Walking Her Own Road. //Soviet Life /Moscow/ 1989 March p.30-31.
  23. Der sinfonische Kosmos Sofia Gubaidulinas. //Sowjetische Musik im Licht der Perestroika. Duisburg Laaber 1990 S.125-129.
  24. Musikalische Rhythmusforschung. //Beiträge zur Musikwissenschaft 1990 No.2 S.145-152.
  25. Musik Anton Weberns in der UdSSR. //Beiträge zur Musikwissenschaft 1990 No.1 S.42-45.
  26. Per aspera ad astra. //Soviet Life (1990, December)
  27. Rhythm. //Chinese Music 1990 No.3 p.17,25, In Chinese.
  28. Rodion Schtschedrin im Gespräch mit Walentina Cholopowa. //Sowjetische Musik im Licht der Perestroika. Duisburg Laaber 1990 S.280-285.
  29. Rodion Schtschedrins Werke der achtziger Jahre. //Sowjetische Musik im Licht der Perestroika. Duisburg Laaber 1990 S.221-227.
  30. Gespräch mit Rodion Stschedrin. //Kunst und Literatur 1990 H.1 S.102-107
  31. Über Prokofjews Kammermusik. //Internationales Musikfestival Sergej Prokofjew und zeitgenössische Musik aus der Sowjetunion. Stadt Duisburg 1990 S.256-261.
  32. Witold Rudzinski: Nauka o rytmie muzycznym. Krakow 1987 PWM cz.I s.324 cz.II s.426. //Muzyka 1990 No.1 s.102-109.
  33. Modern Russian music of the 60th-80th years. In Chinese // Art of Music. 1991 No.2 p.42-53.
  34. Avant-garde et enseignement musical Russe. //Marsyas (Paris), No.30, Juin p.66-67.
  35. Die drei Wahrheiten Alfred Schnittke. // Alfred Schnittke zum 60. Geburtstag. Hamburg Sikorski 1994 S.63-66.
  36. "Forma emocjonalna" u Czajkowskiego. Proba postawienia problemu. //Muzyka 1994 No.1 s.3-17.
  37. Wie gelangt man in ein Schnittke-Konzert? //Alfred Schnittke zum 60. Geburtstag. Hamburg Sikorski 1994 S.181.
  38. Zur Musiksprache in der Vokalwerken von Aribert Reimann. //Musikkultur in der Bundesrepublik Deutschland.- Kassel, Gustav Bosse Verlag 1994 S.315-327
  39. Boris Tishchenko: striking spontaneity against a rationalistic background. //Underground music from the former USSR. Amsterdam B.V. OPA 1997 p.51-65.
  40. Secrets of the Moscow composition school in Vladislav Shoot's "pure music". // Underground music from the former USSR. Amsterdam B.V. OPA 1997 p.189-202.
  41. Sergei Slonimsky: the impetus to innovation and cultural synthesis. //Underground music from the former USSR. Amsterdam B.V. OPA 1997 p.36-50.
  42. The labyrinths of Roman Ledenyov's creative work. // Underground music from the former USSR. Amsterdam B.V. OPA 1997 p.128-143.
  43. Vierteltonsystem kontra Zwölftonhermetik. Viktor Suslin und Sofia Gubaidulina. //Positionen. 37. Beiträge zur neuen Musik. Nov. 1998. Berlin. S.37-40.
  44. Alfred Schnittke und die höheren Mächte. //Musiktexte. Zeitschrift für neue Musik. Köln 1999. H.78. S.29-30.

Articles in Russian
  1. The Evening of the Mexican Ballet. // Soviet Music Magazine. (Vecher Mexikanskogo Baleta // Sovetskaya Muzyka). 1957 No.10, p.64-66.
  2. L.M.Kershner. Folk-Song Origins of J.S.Bach's Melodics. Moscow, 1959. Book review. // Soviet Music Magazine. (L.M.Kershner. Narodno-pesennye istoki melodiki Bacha. Retsenzia // Sovietskaya Muzyka.) 1960 No.9, p.194-195.
  3. Several Observations on Schostakovich's Rhythm. // Features of Schostakovich's Style. (Neskolko nabludeniy nad ritmikoy Schostakovicha. // Cherty stilia Schostakovicha.) Moscow, 1962, p.283-308.
  4. Two Quartets by S.Prokofiev. Preface to the Score (Dva kvarteta S.Prokofieva. Predislovie k partiture.) Moscow, 1963. p.3-5.
  5. Attention to the Rhythm! // Soviet Music Magazine (Vnimanie ritmu! //Sovetskaya Muzyka.) 1964 No.7, p.16-21.
  6. Rhythm and Form // Soviet Music Magazine (Ritm i forma. // Sovetskaya Muzyka) 1966 No.3, p.26-31.
  7. The Rhythmic technique and Dynamics of Stravinsky's music. // Music and Modern Age. Issue No.4 (O ritmitheskoy tekhnike i dinamicheskikh svoistvakh ritma Stravinskogo. // Muzika i sovremennost). Moscow, 1966. - p.96-126.
  8. On Prokofiew's Rhythm // From Lulli to Nowadays (O ritmike Prokofieva. // Ot Lyulli do nashikh dnei.) Moscow, 1967, p.230-255.
  9. At Concerts of "The Warsaw Autumn" // Soviet Musicant newspaper of the Moscow Conservatory (Na kontsertakh Varshavskoi Oseni // Sovetsky Musykant, gazeta MGDOLK) 11.10.67, p.3-4.
  10. The Whole Prokofiev. // The Week. Newspaper (Ves Prokofiev // Nedelya) 17.03.68, p.10.
  11. Renovation of the Palette // Soviet Music Magazine (Obnovlenie palitry. // Sovetskaya Musyka), 1968 No.7, p.28-30.
  12. Problems of Misical Composition of Violin Concerto by A.Berg. // Music and Modern Age. Issue No.6 (O Kompositsionnih printsipah Skripichnogo kontserta A.Berga // Muzika i sovremennost). Moscow, 1969. - p.343-371.
  13. "Overtone" Harmony At the Beginning of XX Century // Soviet Music Magazine ("Obertonovaya" garmonia nachala XX veka. //Sovetskaya Musyka) 1971 No.10, p.126-131.
  14. The Musical Theory by Erwin Lendvai (The Introduction to the World of the Musical Form and Harmony by Bela Bartok) // Problems of Musical Science. Issue No.1. (O Teorii Erwin Lendvai ( Vvedenie v mir formi i garmonii Bartoka) // Problemi muzikalnoy nauki. Vipusk No.1.) Moscow, 1972. - p.326-357.
  15. Symmetry of intervals in Prokofiev's music // Soviet Music Magazine (Simmetriya intervalov v musyke Prokofieva // Sovetskaya Musyka) 1972 No.4, p.100-106.
  16. Towards a system of methods of melodic finishing of the form in Stravinsky's music (O sisteme melodicheskikh priemov zaversheniya formy u Stravinskogo. // I.F.Stravinsky. Moscow, 1973, p.322-346.
  17. Towards one Chromatic's Principle in XX th Century Music // Problems of Musical Science. Issue No.2. (Ob odnom prinzipe khromatiki v muzike XX veka. // Problemi muzikalnoy nauki. Vipusk No.2.) Moscow, 1973. - p.331-344.
  18. Alla breve. //Musical Encyclopedia, vol.1. Moscow, 1973. Col.106.
  19. Amphibrach. // Musical Encyclopedia, vol.1. Moscow, 1973. Col.139.
  20. Anapaest. //Musical Encyclopedia, vol.1. Moscow, 1973. Col.145-146.
  21. Arabesque. //Musical Encyclopedia, vol.1. Moscow, 1973.
  22. Arsis. //Musical Encyclopedia, vol.1. Moscow, 1973. Col.227.
  23. Bagatelle. //Musical Encyclopedia, vol.1. Moscow, 1973.
  24. Hemiolia. // Musical Encyclopedia, vol.1. Moscow, 1973. Col.950.
  25. General Pause. //Musical Encyclopedia, vol.1. Moscow, 1973. Col.962.
  26. Gubaidulina S.A. //Musical Encyclopedia, vol.2. Moscow, 1974. Col.94-95.
  27. Denisov E.V. //Musical Encyclopedia, vol.2. Moscow, 1974. Col.199-200.
  28. Beat. //Musical Encyclopedia, vol.2. Moscow, 1974. Col.282.
  29. On the Origin of Non-Squareness. // On Music. Problems of Analysis. (O prirode nekvadratnosti // O musyke. Problemy analiza.) Moscow, 1974, p.73-106.
  30. The Form-Making Role of Rhythm in a Musical Work. // Rhythm, Space, and Time in Literature and Art (Formoobrazuyuschaya rol ritma v muzykalnom proizvedenii // Rhythm, ?rostranstvo, vremia v literature i iskusstve.) Leningrad, 1974. p.229-238.
  31. Dramatic Composition and Musical Forms of the Cantata "Night in Memphis" by S.Gubaidulina // Music and Modern Age. Issue No.8. (Dramaturgia i muzikalnie formi v kantate S.Gubaidulinoy "Noch v Memfise" // Muzika i sovremennost. Vipusk No.8.) Moscow, 1974. - p.109-130.
  32. Again on the Overtone Harmony (from its history) // Soviet Music Magazine (Vnov ob obertonovoi garmonii //Sovetskaya Musyka.) 1974 No.4, p.93-98.
  33. Lombardia Rhythm. //Musical Encyclopedia, vol.3. Moscow, 1976. Col.319-320.
  34. Polymetria. //Musical Encyclopedia, vol.4. Moscow, 1978. Col.332-333.
  35. Polyrhythm.// Musical Encyclopedia, vol.4. Moscow, 1978. Col.334-336.
  36. Rhythm (20th century.). //Musical Encyclopedia, vol.4. Moscow, 1978. Col.664-666.
  37. Accented Beat. // Musical Encyclopedia, vol.4. Moscow, 1978. Col.968.
  38. On the Problem of the Specific Features of Russian Musical Rhythm (Russian Musical Dactyls and Fife Quartos). // Problems of Musical Rhythm. (K voprosy o Spetsifike Russkogo Musikalnogo Ritma (Russkie Muzikalnie Daktili i Pyatidolniki). // Problemy Muzikalnogo Ritma). Moscow, 1978.- p.164-228.
  39. Rhythmic Progressions and Series (In collaboration with B.Spasov). // Problems of Musical Rhythm . (Ritmicheskie Progressii i serii // Problemi musikalnogo ritma.) Moscow, 1978.- p.261-293.
  40. On the Prototypes of the Function of the Musical Form. // Problems of Musical Science. Issue No.4. (O prototipakh funktsiy muzikalnoy formi. // Problemi muzikalnoy nauki. Vipusk No.4.) Moscow, 1979.- p.4-22.
  41. On the Linear and Melodions Thinking of 20th Century Composers. // Criticism and Musical Studies. Issue No.2. (O Linearno - Melodicheskom Myshlenii Kompozitorov XX veka. // Kritika i Muzikoznanie. Vipusk No.2.) Leningrad, 1980. - p.23-35.
  42. Unaccented Beat. //Musical Encyclopedia, vol.5. Moscow, 1981. Col.78.
  43. Compound Measures. //Musical Encyclopedia, vol.5. Moscow, 1981. Col.93.
  44. Mixed Measures.//Musical Encyclopedia, vol.5. Moscow, 1981. Col.111-112.
  45. Schnittke A.G. //Musical Encyclopedia, vol.6. Moscow, 1982. Col.360.
  46. Medushevsky V.V. // Musical Encyclopedia, vol.6. Moscow, 1982. Col.873.
  47. Innovative Techniques in the Musical Language of Russian Soviet Composers of the Middle Generation. // The Problems of Tradition and Innovations of Contemporary Music. (Tipi novatorstva v muzikalnom yazike russkikh sovetskikh kompozitorov srednego pokoleniya. // Problemi traditsiy i novatorstva v sovremennoy muzike. ) Moscow, 1982. - p.158-205.
  48. Alfred Garrievich Schnittke. //Composers of Russian Federation, 2nd issue. Moscow, 1982. p.254-287.
  49. Musical Forms of Classical Ballet // Music and Choreography of Modern Ballet. Issue No.4. (Muzikalnye Formy Klassicheskogo Baleta // Muzika i Khoreografia Sovremennogo Baleta. Vipusk No.4.) Moscow, 1982. - p.57-72.
  50. On the Thematic Invention in Webern's Music // Problems of Austrian-German Music's History. / Gnesins State Musical Institute, issue 70. (O tematizme Veberna. //Problemy istorii avstro-nemetskoi musyki. /GMPI im.Gnesinykh, vyp.70.) Moscow, 1983. p.86-104.
  51. Meeting with A.Schnittke. // Soviet Musician, Moscow Tchaikovsky Conservatory newspaper? (Vstrecha s A.Schnittke // Sovetski Musykant, gazeta MGDOLK.) 1983, Nov.30, p.4.
  52. Anton Webern. Co-authored with Yu.N.Kholopov //Music of XX century (Muzyka XX veka), part II, vol.4. Moscow, 1984. p.445-466.
  53. Sophia Gubaidulina // Music in the USSR. Issue No.2. (Sofia Gubaidulina. // Muzika v SSSR. Vipusk No.2). Moscow, April-June, 1985. - p.86-88.
  54. Stravinsky's classicist Complex in the Context of Russian Music // I.F.Stravinsky. (Klassitsitskiy kompleks tvorchestva Stravinskogo v kontekste russkoi muziki. // I.F.Stravinsky.) Moscow, 1985. - p.40-68.
  55. Modern Aspects of Asafiev's Intonation Theory // B.V. Asafiev and Soviet Musical Culture. (Sovremennye Aspekty Asafievskoy Teorii Intonatsii. // B.V.Asafiev i Sovetskaya Muzikalnaya Kultura.) Moscow, 1986. - p.132-138.
  56. The Echo of the Echo Sonata. // Soviet Music. Magazine. Issue No.10. (Ekho Ekho-Sonaty. // Sovetskaya Muzika. Zhurnal. Vipusk No.10. ) Moscow, 1986. - p.22-26.
  57. Musicology in the Context of Humanitarisation of Higher Education. // Contemporary Tendencies of the System of Higher Musical Education. (Muzikoznanie v perspektive gumanitarizatsii vysshego obrazovania. // Sovremennie tendenstii v organizatsii visshego muzikalnogo obrazovania.) Moscow, 1987. State Musical and Pedagodical Institute named After the Gnesins. Issue No.93. - p.20-29.
  58. Sounding Grace of Sergey Prokofiev.// Soviet Ballet magazine. (Zvuchashchaya plastika Sergeya Prokofieva // Sovetsky Balet) 1987 No.1, p.23-27.
  59. But Also Love is Melody. // Soviet Ballet magazine. (No i lubov - melodia. // Sovetsky balet.) 1987 No.3, p.62-63.
  60. Music for Everybody // Messenger of High School, magazine. (Muzyka dlia vsekh. //Vestnik vysshei shkoly.) 1988 No.9, p.80-82.
  61. The World of Sofia Gubaidulina's Music // Musical Life magazine. (Mir muzyki Sofii Gubaidulinoy //Muzykalnaya Zhizn) 1988 No.4, p.8-9.
  62. On the Motives of Trilogy "Going on Torments" .. Soviet Ballet magazine. (po motivam trilogii "Khozhdenie po mukam".// Sovetski Balet) 1988 No.4.
  63. Music Looks for the Audience, the Audience Looks for Music. // Musical Life magazine (Muzyka ishchet publiku, publika ishchet musyku. // Muzykalnaya Zhizn) 1988 No.6, p.0-1.
  64. Concert is an Intercourse. // Musical Life magazine (Concert - eto obshchenie. // Muzykalnaya Zhizn.) 1988 No.4, p.11.
  65. At the Beginning It Was a Rhythm. // Soviet Ballet magazine (V nachale byl ritm. // Sovetsky Balet) 1988 No.1, p.27-29.
  66. A Word about the Innovator (about S.Gubaidulina) // Soviet Culture, newspaper (Slovo o novatore (o S.Gubaidulinoi) //Sovetskaya Kultura) 1988, Aug.25, p.5.
  67. R.Shchedrin. "Musical Offering". Commentary for the LP-disc. /"Melodia", 1988.
  68. The Primeval Value of Music. Conversation with R.Shchedrin. //Truth, newspaper (Izvechnaya tsennost muzyki. Beseda s R.Shchedrinym. //Pravda) 1988 Sep.16, p.4.
  69. What to Do? (Chto delat?) //Russian Musical Newspaper, 1988 No.1.
  70. Karmen, I Adore You. Interview with R.Shchedrin. // Soviet Ballet. Issue No.5. (Karmen, Tebya Ya Obozhayu. Beseda S R.Shchedrinym. // Sovetskii Balet. Vipusk No.5). Moscow, 1989. - p.8-10.
  71. The Philosophical "Camerata" by Sergei Slonimsky. // Soviet Music. Magazine. Issue No.10. (Filosofskaya "Camerata" Sergeya Slonimskogo. // Sovetskaya Muzika. Zhurnal. Vipusk No.10). Moscow, 1989. - p.22-25.
  72. R.Shchedrin "Imprinted Angel", "Surplice". Article to a LP-Disc. (R.Shechedrin "Zapechatlenniy Angel", "Stikhira". Statya K Gramplastinke.) "Melody", 1990.
  73. In Memory of Fashism's Victims / About "Requiem" by V.Artemov // The Musical Life magazine. (Pamyati zhertv fashizma. /o "Rekvieme" V.Artemova //Muzikalnaya Zhizn) 1989 No.7, p.8.
  74. Gubaidulina S.A. //Creative Portrairs of Composers (Tvorcheskie portrety kompozitorov). Popular Directory. Moscow, 1990, p.132-134.
  75. Spirit Breathers Wherever It Wishes... Prfessor of Moscow State Conservatory V.N.Kholopova Interviews Composer A.G.Shnittke. // Our Heritage. Magazine. (Dukh dyshit gde khochet... S kompozitorom A.G. Shnittke besedyet professor moskovskoi konservatorii V.N.Kholopova. // Nashe Nasledie. Zhurnal.) Moscow, 1990. No.3. - p.42-46.
  76. "Sacrifice" by Sofia Gubaidulina // The Musical Life magazine ("Zhertvoprinoshenie" Sofii Gubaydulinoy. // Muzikalnaya Zhizn) 1990 No.11, p.14.
  77. Music will Save the World / about the festival of S.Gubaydulina's music in Sverdlovsk // Soviet Music Magazine (Muzyka spaset mir./o festivale S.Gubaydulinoy v Sverdlovske // Sovetskaya Musyka) 1990 No.9, p.46-54.
  78. Berg A. // Composers' Creative Portraits. (Berg A. // Tvorcheskie Portreti Kompozitorov). Moscow, 1990. - p.46-48.
  79. Tishchenko B.I. // Composers' Creative Portraits. (Tishchenko B.I. // Tvorcheskie Portreti Kompozitorov). Moscow, 1990. - p.353-354.
  80. Schnittke A.G. // Composers' Creative Portraits. (Schnittke A.G. // Tvorcheskie Portreti Kompozitorov). Moscow, 1990. - p.403-405.
  81. Specific Nature of the S.Gubaidulina Musical Style, and Her Third Quartet // Poetics of the Musical Composition. / Gnesins State Musical Institute, issue 113. (Spetsifika stilya S.Gubaydulinoy i ee Tretiy Kvartet. // Poetika musykalnoy kompozitsii / GMPI im. Gnesinykh, vyp.113. Moscow, 1990, p.32-50.
  82. Mussorgsky's Rhythm Innovations. // M.P.Mussorgsky and XXth Century Music. (Novie berega ritmiki Mussorgskogo. // M.P.Mussorgskii i Muzika XX veka.) Moscow, 1990. - p.93-109. <
  83. Studies on Musikal Rhythmics in the USSR. // Soviet Music. Magazine. (Issledovaniya po Muzikalnoy Ritmike V SSSR. // Sovetskaya Muzika. Zhurnal). Moscow, 1990. No.5. - p.52-57.
  84. Alla breve.//Musical Encyclopedical Dictionary, Moscow, 1990, p.26.
  85. Webern A.//Musical Encyclopedical Dictionary, Moscow, 1990, p.97-98.
  86. Hemiolia. //Musical Encyclopedical Dictionary, Moscow, 1990, p.130.
  87. General Pause. //Musical Encyclopedical Dictionary, Moscow, 1990, p.132.
  88. Gubaidulina S.A. //Musical Encyclopedical Dictionary, Moscow, 1990, p.154.
  89. Denisov E.V. //Musical Encyclopedical Dictionary, Moscow, 1990, p.168.
  90. Beat. //Musical Encyclopedical Dictionary, Moscow, 1990, p.179.
  91. Lombardia Rhythm. // Musical Encyclopedical Dictionary, Moscow, 1990, p.311.
  92. Medushevsky V.V.//Musical Encyclopedical Dictionary, Moscow, 1990, p.332.
  93. Polymetria //Musical Encyclopedical Dictionary, Moscow, 1990, p.430.
  94. Polyrhythmia.//Musical Encyclopedical Dictionary, Moscow, 1990, p.430.
  95. Accented Beat. //Musical Encyclopedical Dictionary, Moscow, 1990, p.497.
  96. Unaccented Beat. //Musical Encyclopedical Dictionary, Moscow, 1990, p.504.
  97. Schnittke A.G. // Musical Encyclopedical Dictionary, Moscow, 1990, p.640.
  98. S.Gubaidulina "Seven Words". Commentary to LP-disc. /"Melody" 1991.
  99. "Any Time is Stronger than People...". ("Vsiakoe vremya silnee lyudei".) Conversation of V.Kholopova with A.Schnittke.//Press-Centre. 1991 No.2, p.5.
  100. Carmen Infringed upon Their Innocence. (Karmen posiagal na ikh nevinnost.) Conversation of V.Kholopova with R.Shchedrin. //Press-Centre 1991 No.4,?.6-7.
  101. Major and Minor of the Conservatory. // Soviet Culture (Mazhor i Minor Konservatorii. // Sovetskaya kultura) Moscow, 8 June, 1991. - p.10.
  102. Curiouses of the Conservatory (Konservatorskie kuriezy) // Moskovskiy Komsomolets 1991, Oct.3, p.
  103. Nikolay Berdyaev and Sofia Gubaidulina: In the Same Part of the Universe. // Soviet Music. Magazine. Issue No.10. (Nikolay Berdyaev i Sofia Gubaidulina: v toy zhe chasti Vselennoi. Sovetskaya Muzika. Zhurnal. Vipusk No.10.) Moscow, 1991. - p.11-15.
  104. "Settembre musica". Jubilee Festival of Sofia Gubaidulina in Turin. //Musical Review (Musykalnoe Obozrenie), newspaper. 1991, No.22-29.
  105. Visual Row in Music // Space and Time in Music. (Zritelniy Ryad v Muzike // Prostranstvo i Vremya v Muzike). Moscow, 1992. State Musical and Pedagodical Institute named after the Gnesins. Issue No.121. - p.13-25.
  106. Sofia Gubaidulina and Nikolai Berdyaev. // Culture, Creator and Society. (Sofia Gubaidulina i Nikolai Berdyaev. // Kultura, Hudozhnick, Obshchestvo.) Moscow, 1992. - p.88-98.
  107. Towards Perspectives of Ballet Critics Education for Musicologists. (O perspektivakh baletovedcheskogo obrazovanija musykovedov) // Materials of the First All-Russian Conference on Ballet Critics./Moscow Tchaikovsky Conservatory. Moscow, 1992, p.5-7.
  108. Period and Simple (Lied-) Forms in Dance Music (Period i prostie formy v tantsevalnoi muzyke. Co-authored with N.V.Boitsova. /printing mistake: only N.V.Boitsova name is printed/.// Materials of the First All-Russian Conference on Ballet Critics./Moscow Tchaikovsky Conservatory. Moscow, 1992, p.118-128.
  109. "Atlant Breath of a Soul..." // The Musical Life magazine (Atlantsky vzdokh dushi..." //Muzikalnaya Zhizn) 1992 No.4, p.8.
  110. Romance in Costumes. // Musical Review, newspaper (Romans v kostyumakh. //Muzikalnoe obozrenie) 1992 No.13-14.
  111. Grand Concert of the Moscow Conservatory. // Russian Musician (Bolshoi concert Moskovskoi konservatorii. //Rossiysky muzykant), newspaper of the Moscow Tchaikovsky Conservatory, 1992 May 6.
  112. Culture in the Absence of Demand // Russian Musician (Kultura v otsutstvie sprosa.// Rossiyski muzykant), newspaper of the Moscow Tchaikovsky Conservatory, 1992, Jan.3
  113. Native Musical Avant-Garde in the Context of the World Art of the 20th century. // Musical Review, newspaper (Otechestvenny muzykalny avangard v kontekste mirovogo iskusstva XX veka. // Musikalnoe obozrenie), 1992, Apr.7.
  114. Alfred Schnittke and the World of Thomas Mann. Interview with Composer and Coments by V.N.Kholopova. // Musical Life. Magazine. ( Alfred Schnittke I Mir Tomasa Manna. Beseda S Kompozitorom i Kommentariy V.N.Kholopovoy. // Muzikalnaya Zhizn. Zhurnal.) Moscow, 1992. No.11-12. - p.11.
  115. Stravinsky at the Context of a Musical Language of His Epoch. // Music Academy. Issue No.4. (Stravinsky v texte Musiki Epokhi. // Muzikalnaya Akademia. Vipusk No.4.) Moscow, 1992. - p.178-181.
  116. On the Rhythm of the Pillar Old-Russian Singing./ Thesis. // Musical Culture of the Middle Ages, 2nd issue. (O ritmike stolpovogo znamennogo raspeva./Tezisy.// Muzykalnaya kultura Srednevekovia, vyp.2.) Moscow, 1992, p.57-58.
  117. The Life of Rock and Musical Paradoxes in Movies. A. Schnittke answers Kholopova's Questions. // Musical Life Magazine. (Bytie Roka i Parodoksy Muziki v Kino. Schnittke otvechaet na voprosy Kholopovoy. // Muzikalnay Zhizn. Zhurnal.) Moscow, 1993. No.1. - p.6-7.
  118. Avant-Garde and Traditions. Schnittke and Gubaydulina in Chinese Interior. // The Musical Life magazine. (Avangard i traditsii. Schnittke i Gubaidulina v kitaiskom interiere. //Muzikalnaya Zhizn 1993, No.17-18, p.25-26.
  119. China Today (Kitay segodnia).//Russian Musician / newspaper of the Moscow Tchaikovsky Conservatory. 1993 No.7, October, p.3.
  120. Beijing and Shanghai Discoveries. // Musical Review. Russian Musical Newspaper. (Otkrytiya v Pekine i Shanghae. // Muzikalnoe Obozrenie. Russkaya Muzikalnaya Gazeta.) Moscow, 1993. No.15-16.
  121. Typology of Emotions in Music. // Artistic Type of Person. (Tipologia Emotsiy v Muzike. // Khudozhestvenniy Tip Cheloveka). Moscow, Moscow State Conservatory, 1994. - p.66-85.
  122. Typology of Musical Forms of the 2 th Half of the 20th Century (1950-1980). // Problems of Musical Forms in Theoretical Courses at the Institutes of Higher Learning. / Russian Academy of Music named after the Gnesins and Rostov Conservatory. Issue No.132. (Tipologia Muzikalnikh Form Vtoroy Poloviny XX veka - 50-80 godi. // Problemi Muzikalnoy Formi v Teoreticheskikh Kursah Vuza.) Moscow, 1994. - p.46-69.
  123. 75th Anniversary of the Riazan Musical College. // Musical Review. (75-letie Riazanskogo muzykalnogo uchilishcha. // Musikalnoe Obozrenie 1994 No.5 May, p.9.
  124. The Assembly of Musicians-Teachers from South Ural "Art and Human" ("Iskusstvo i Chelovek"). //Musical Review (Muzikalnoe Obozrenie) 1994 October. i>Boris Tishchenko: Striking Spontaneity against a Rationalistic Background. // Underground Music from the Former USSR. V.1. ( Boris Tishchenko: Reliefi Spontannosti na Fone Ratsionalizma. // Muzika iz Bivshego SSSR. Chast 1.) Moscow, 1994. - p.56-71.
  125. Sergei Slonimsky: Impetus to Innovation and Cultural Synthesis. // Underground Music from the Former USSR. V.1. (Impulsi Novatorstva i Kulturniy Sintez v Tvorchestve Sergeya Slonimskogo. // Muzika iz Bivshego SSSR. Chast 1.) Moscow, 1994. - p.41-55.
  126. The Labyrinths of Roman Ledenyov's Creative Work. // Underground Music from the Former USSR. V.1. (Labirinti Tvorchestva Romana Ledenyova. // Muzika iz Bivshego SSSR. Chast 1.) Moscow, 1994. - p.139-154.
  127. Secrets of the Moscow Composition School in Vladislav Shoot's "Pure Music". // Underground Music from the Former USSR. V.1. (Sekreti Moskovskoi Shkoli v "Chistoy Musike" Vladislava Shutya. // Muzika iz Bivshego SSSR. Chast 1.) Moscow, 1994. - p.208-221.
  128. The Success of S.Gubaidulina and Her Friends in S.-Petersburg. (Uspekh S.Gubaidulinoy i ee druzey v Peterburge.)// Russian Musician (Rossiysky Musykant), newspaper of the Moscow Tchaikovsky Conservatory. 1994 No.2-4 May, p.3.
  129. The Great Music is Always Humane. // The Musical Life magazine. (Bolshaya muzyka vsegda chelovechna.// Muzikalnaya Zhizn 1994 No.8, p.8-9.
  130. In Honor of Alfred Schnittke. // The Musical Life magazine (V chest Alfreda Schnittke // Muzikalnaya Zhizn) 1994, No.11-12, p.0-3.
  131. Edison Denisov's Rhythm. // Music by Edison Denisov. (Ritmika Edisona Denisova. // Muzika Edisona Denisova). Moscow, Moscow Tchaikovsky Conservatory, 1995. - p.24-38.
  132. Kremerata musica 1995.//Musical Review (Muzikalnoe Obozrenie) 1995 No.7-8
  133. Lokenhaus: Kremer - Gubaidulina - Suslin. //The Musical Life magazine (Muzikalnaya Zhizn) 1995 No.9 p.45-46.
  134. Grandsymphony by Gubaidulina, Pyart and Silvestrov conducted by G.Kremer. // The Musical Academy. Magazine. (Supersimfonia Gubaidulinoy, Pyarta, Silvestrova, Rezhissirovannaya G.Kremerom. // Muzikalnaya Akademia. Zhurnal). Moscow, 1995. Issue No.3. - p.30-35.
  135. About the Theory of Style in Music: Unsolved, Solved and Difficult to Solve. // The Musical Akademy. Magazine. (K Teorii Stilya v Muzike: Nereshyonnoe, Reshaemoe, Nerazreshimoe. // Muzikalnaya Akademia. Zhurnal). Moscow, 1995. Issue No.3. - p.165-168.
  136. Waterfall of the Novelty from Vladivostok. // Ballet magazine. (Vodopad novizny iz Vladivostoka. //Balet.) 1995 No.1-2, p.27-29.
  137. Listening to Alfred Schnittke Today. // The Musical Academy. Magazine. (Slushaya Alfreda Schnittke Segodnya. // Muzikalnaya Akademia. Zhurnal). Moscow, 1995. Issue No.2. - p.28-32.
  138. He was a Non-Traditional Musicolodist. / About A.V.Mikhailov. // The Musical Academy. Magazine. (On Byl Netraditsionnym Muzikovedom. / O A.V.Mikhailove. // Muzikalnaya Akademia. Zhurnal.) Moscow, 1996. Issue No.1. - p.131-132.
  139. Victor Suslin: Discovery of Chances Overlooked by the Prorgess. // Underground Music From the former USSR. V. 2. (Viktor Suslin: Discovery of Chances Overlooked by The Progress . // Muzika iz Bivshego SSSR. Chast 2. Moscow, 1996. - p.229-254.
  140. "Problems of Musical Folklore and Composers' Creative Work" ("Problemy muzikalnogo folklora b kompozitorskogo tvorchestva"), review of the manuscript by N.F.Tiftikidi. //N.F.Tiftikidi. Musician. Teacher. Scientist. Moscow, 1996, p.34-36.
  141. Tsitseron and Beethoven. // Content - 1994, 1995. (Tsitseron i Betkhoven. // Kontekst - 1994, 1995.) Moscow, 1996. - p.323-337.
  142. Parameter of Expression in S.Gubaidulina's Music. // Musical Culture in the Period Immediately Preceding XXI Century (Musikalnaya Kultura v preddverii ??I veka.) Erevan, 1997. p.28-29.
  143. Three Dramas of Sunny Prokofiev /under title: Attack of Mammoths on African Plato/ (Tri dramy solnechnogo Prokofieva /pod nazv. Ataka mamontov na afrikanskom plato/) //Stas (Moscow). 1997 No.1, p.28-29.
  144. The Reed of Wisdom (Trostnik mudrosti) (about Sifia Gubaidulina). // Stas (Moscow). 1997 No.1, p.23-25.
  145. Danced Boskh. Regarding Thoughts. // Ballet magazine. (Tantsuemy Boskh. Razmyshleniya po povodu.//Balet.) 1997 June, p.6.
  146. Icon. Index. Symbol. // The Musical Academy. Magazine. (Ikon. Indeks. Simvol. // Muzikalnaya Academia. Zhurnal.) Moscow, 1997. Issue No.4. - p.159-162.
  147. Music as A Good: On the Nature of Musical Emotions. (Muzika kak dobro: o prirode muzikalnykh emotsiy.) /Thesis. //Creative Teaching at the Entrance to the New Century (Tvorcheskaya pedagogika nakanune novogo veka), part 1. Moscow, 1997.
  148. Lev Anatolievich Ladygin (the Obituary) //Russian Musician (Rossiysky Musikant)/ Moscow Tchaikovsky Conservatory. 1997 No.4 p.4.
  149. Highest Principles of Art. (Vysshie printsipy iskusstva.) /Thesis. //The International Scientific-Public Conference, dedicated to 50th years of Rerikh's decease. Odessa, 1997, p.20.
  150. Highest Principles of Art. // Creative Heritage of Hikolay Rerikh - Invaluable Gift to the Mankind. (Vysshie printsipy iskusstva. //Tvorcheskoe nasledie N.K.Rerikha - bestsenny dar chelovechestvu. Thematical Anthology on Materials of the Conference. Odessa, 1997, p.51-52.
  151. On Introducing Psychology into Theoretical Reserch of Music. // Musical Education in the Context of Culture: Problems of History, Theory, Psychology and Methodology. / Academic Conference. October 25-29, 1994. (O Psikhologizatsii Teoreticheskikh Ucheniy o Muzike.// Muzikalnoe Obrazovanie v Kontekste Kultury: VoprosyIstorii, Teorii, Psikhologii i Metodologii. / Nauchno-Prakticheskaya Konferentsia 25-29 Oktyabrya , 1994.) Moscow, Russian Musical Academy named after the Gnesins, 1997. - p.41-49. First Edition; // (Transformatia musichnoi osviti: kultura ta suchasnist. 1 chast.) Odessa: Astroprint, 1998, p.32-36. Second Edition, in Ukranian.
  152. Rhythmic Innovations. // Russian Music and XX Century. (Ritmicheskie Novatsii. // Russkaya Muzika i XX vek.) Moscow, Moscow State Institute of Art Criticism, 1997. - p.553-588.
  153. Confession of Doctor Faustus (Ispoved doktora Fausta). Conversation of S.Biryukov with V.Kholopova.//Labour (Trud), newspaper, 1998, June 19, p.17.
  154. Unknown Shchedrin. // The Musical Academy. Magazine. (Neizvestniy Shchedrin. // Muzikalnaya Academia. Zhurnal.) Moscow, 1998. Issue No.2. - p.9-15.
  155. Sofia Gubaidulina and the Conversion of Time. // Musical Review, newspaper. (Sofia Gubaidulina i prevrashchenie vremeni. // Muzikalnoe Obozrenie.) 10(178), Oct.1998, p.18.
  156. Reviews. Criticism. Opinions. / About the Electronic Music at "Moscow Fall-97". // The Musical Academy. Magazine. (Otkliki. Kritika. Mneniya. / O electronnoy Muzike na "Moskovskoy Oseni - 97". // Muzikakalnaya Akademia. Zhurnal.) Moscow, 1998. Issue No.3-4. - p.51.
  157. Did Webern ever Teach at Moscow Conservatory or Meditations on the Way from Shanghai to Paris. Interview with N.Vlasova. // The Musical Academy. Magazine. (Prepodaval li Webern v Moskovskoy Konservatorii ili Razmyshleniya na Puti iz Shanghaya v Parizh. Beseda s N. Vlasovoy. // Muzikalnaya Akademia, Zhurnal.) Moscow, 1998. Issue No.3-4. - p.8-13.
  158. Webern's Light in Modern Russian Music. // Light Shining in the Dark. / On Anton Webern's Music 1945-1995. / Moscow State Conservatory Scholarly Papers. (Svet Weberna v Sovremennoy Russkoy Muzike. // Svet vo Tme Svetit. / O Muzike Antona Weberna 1945-1995. / Nauchnye Trudy Moskovskoi Konservatorii imeni Chaikovsky. ) Moscow,1998. - p.74-96.
  159. Composer Sofia Gubaidulina. //Art (Iskusstvo), supplement to the newspaper "The 1st of September", 1999 Jan. No.3 (123) p.2-3.
  160. New Study Courses on Musical Contents. // Artistic Education and Upbringing. (Novie uchebnie Kursi - po muzicalnomu soderzhaniu. // Khudozhestvennoe obrasovanie i vospitanie.) Vladivostok, 1999. - p.25-34.
  161. Unity of Creative Forces of the Conservatory.// Russian Musician, newspaper of the Moscow Tchaikovsky Conservatory. (Edinenie tvorcheskikh sil konservatorii. // Rossiysky Muzykant) No.2/1196/ 1999 p.1-2.
  162. Such a Music Sounded... // Evening Moscow, newspaper (Takaya Muzyka Zvuchala... // Vechernyaa Moskva), April 23, 1999, No.76/22653/ p.4.
  163. At the Grand-Piano - the History by Itself (Za royalem - sama istoria) //Neues Leben (Moscow), May 14, 1999 No.9, p.7.
  164. Time and Beyond Time. / On Sofia Gubaidulina's Creative Process. // Stages of Musical Composition. (Vremya i vnevremya. / O Tvorcheskom Protsesse Sofii Gubaidulinoy. // Protsessi Muzikalnogo Tvorchestva.) Moscow, Russian Academy of Music named after the Gnesins, 1999. Issue No.155. - p.99-113.
  165. Greeting to the Participants of the International Conference on Pushkin's Works. //A.S.Pushkin. Epoch. Culture. Creative Process. Part 1. Vladivostok: Edition of Dalnevostochny University, 1999, p.6-7.
  166. Theory of the Musical Contents - Science of the 21th Century. // Musical Theory Education at the Boundary of XX-XXI centuries. (Teoriya muzikalnogo soderzhaniya - nauka XXI veka. //Muzikalno-teoreticheskoe obrazovanie na rubezhe ??-??I vv.) /Moscow State University of Culture and Arts. Moscow, 1999, p.12-19.
  167. Schnittke. Continuation of the Confession. //Labour, newspaper (Schnittke. Prodolzheie ispovedi. // Trud.) August 3, 1999, p.4. Co-authored with S.Buryukov
  168. Parameter of Expression in Musical Language of Sofia Gubaidulina. // Music of XX Century. Moscow Forum. / Moscow Tchaikovsky Conservatory, issue 25. Moscow, 1999, p.153-160.
  169. Sofia Gubaidulina and the Oriental Avant-Garde: Moments of the Correlation. //Music of the XX Century (Muzyka XX veka). Moscow Forum./ Moscow Tchaikovsky Conservatory, issue 25. Moscow, 1999, p.160-165.
  170. Spiritual Fortitude of Musicians. (Dukhovnaya stoykost musykantov.) Conversation with Rector of the Moscow Tchaikovsky Conservatory. //Musical Academy magazine, 1999 No.3, p.32-37.
  171. Musical Content - the New Teaching Course.//Art (Iskusstvo), supplement to the newspaper "The 1st of September", 1999 No.37 /157/, October, p.5.
  172. Accented Rhythm. //Belarus-Russian Musical Dictionary. Minsk, 1999. p.272. In Belorussian and Russian.
  173. Alternative Form//the same publ., p.273.
  174. Braheja Monosemos. // the same publ., p.289.
  175. Dactylic Kind. //the same publ., p.313.
  176. 12-Degree Form. // the same publ., p.313.
  177. Diagonal Texture. Diagonal Thematism. // the same publ., p.318, 534.
  178. Multilateral Rhythmical Regularity. // the same publ., p.387.
  179. Multilateral Meter. //the same publ., p.387.
  180. Modus Rhythmical. //the same publ., p.389.
  181. Monomeasureness. //the same publ., p.390, 543.
  182. Mora. //the same publ., p.391.
  183. Parameter of Expression.//the same publ., p.414.
  184. Super-Polyphony (-Multi-voicing).//the same publ., p.439.
  185. Syllabic Canon. (or Tone-Counting Canon)//the same publ., p.443.
  186. Titul Meter. //the same publ., p.463.
  187. Tone-Counting, Musical Syllabity. //the same publ., p.464-465.
  188. Characterical Voice, Characterical Layer. // the same publ., p.486.
  189. Emotional Form. //the same publ., p.506.
  190. Preface to the Book: E.N.Dulova. Ballet Jenre as a Musical Phenomena. Minsk, 1999, p.4-5.
  191. Schnittke-philosopher (to the 65th Composer's Birthday). Fragment of the Conversation from 1989. //Russian Musician (Rossiysky Musykant), hewspaper of the Moscow Tchaikovsky Conservatory, No.1 /1198/ 2000. p.1.
  192. "The Magic of the Melodious Violin" ("Volshebstvo Pevuchei Skripki") //Musical Academy magazine, 1999 No.4, p.1-9.
  193. New Direction in Musical Teaching - Courses on Musical Content. //Vesti. The Association of "Educational Institutions of Arts". Moscow, 1999 No.7 p.32-36.
  194. The Course "Musical Content" on Different Stages of Musical Education. // Musical Education in the Context of Culture: Problems of Theory, History and Methodology of Musical Education. (Predmet "Muzikalnoe soderzhanie" na raznykh stupeniakh muzikalnogo obrazovania. // Muzikalnoe obrazovanie v kontekste kultury: voprosy teorii, istorii i metodologii muzikalnogo obrazovaniya.) Scientific-Practical Conference, October 29-30, 1996. Moscow, Russian Gnesins Academy of Music. 1999, p.33-42.
  195. Schnittke. //Kornevishche OA. The Book on Non-Classic Aesthetics. /Institute of Philosophy, Russian Academy of Science. Moscow, 1999, p.227-231.
  196. Paradox of "Lolita". // The Musical Life magazine (Muzikalnaya Zhizn) 2000 No.3 p.32-33.
  197. How Sad are Our Unencompassed Spaces. Russian National Orchestra Opened the Season. (Kak grustny nashi neokhvatnye prostranstva. RNO otkryl sezon. //Cultura, newspaper. 14.09.2000, p.9.
  198. Quartertone System in Music by Victor Suslin as an Overcoming of the Hermetism of the 12-tone System.// Musical Educational at the Context of Culture: Questions of Theory, History and Methodology of the Musical Education. (Chetvertitonovaya sistema u Viktora Suslina kak preodolenie germetisma dvenadtsatitonovosti. // Musikalnoe obrazovanie v kontekste kultury:voprosy teorii, istorii i metodologii musykalnogo obrazovaniya.) Materials of the Scientific-Practical Conference, October 27-29, 1998. /Moscow, Gnesins Academy of Music, 2000, p.39-45.
  199. Before-New-Year Speech by Vladimir Spivakov. He Gave a Concert with the Russian National Orchestra. //Novye Izvestiya, newspaper, 30.12.2000 p.7.
  200. Expression Parameter - New Category Dimension of the Musical Language. // Musical Texture. (Parametr Ekspressii - Novoe Izmerenie Muzikalnogo Yazika. // Muzikalnaya Faktura.) Moscow, Russian Academy of Music named after the Gnesins, 1998. Issue No.146. In Print.